Sketch for 2019 Tiger Book

Happy April,

This is my April hedge-a-gram, the time I take every month to relay my book making activities.   The Tiger story I have had in my mind for 5 years has finally metamorphosized into a dummy. In book terms, a dummy is 32 pages of full color thumbnail sketches made into a small coverless book. Although everyone doesn’t actually make signatures (groups of 4 pages) and sew them into a 32 page booklet, it really helps me to sequence the illustrations in a page turning format rather than a group of illustrations. When I do the final illustrations I will display them on a huge bulleton board within sight of my art desk. There is always that moment of excitement when the first folded and gathered pages come from the printer for me to check. Many times the illustrations look different in a book format. Hopefully better!
Because I visualize a story in pictures rather than a manuscript I decided to present my Tiger story as a dummy. I went to Penguin Random House to have a meeting with my editor and art director to see if they liked it. I had only told them the basic idea, and referenced the Middle Eastern tale it was inspired by. Although my story is hardly recognizable from the original tale I wanted my editor to know the changes I would be making.
I travelled to India 4 years ago to research the main characters, Tigers, and see firsthand the flora and fauna in the huge game reserves of Kanha National Park, Bandhavgarh National Park, and Panna National Park in Madhya Pradesh Province. The trip was very fruitful because we saw Tigers, smaller cats and many animals and birds I would populate my story with.
My story takes place in that region, but far back in time. Jokingly I say “a time when Tigers wore clothes and Peacocks talked!” In other words it is set in a world made up with children in mind.
I spent many hours in the Metropolitan Museum of Art in NYC in their Asiatic and Middle Eastern rooms being transported by the exquisite Court Paintings. There are many schools of painting although the flowering of the art was arguably in the 16th, 17th and 18th centuries when Princes and people of wealth could enable artists to create. Some of the most wonderful paintings are of wildlife but both Persian and Indian court painting are equally stunning when depicting portraits, scenes of everyday life and illustrating stories. It was an emotional experience to see these paintings that are so vibrant they look like the paint had dried only minutes before. I felt such kinship with these long dead artists it almost makes me believe in reincarnation.
I was so pleased to find the Met had a wonderful bookstore, and many of the treasures I had seen in the galleries could be studied when I got home. I will by no means copy the style but there will be something of color palettes and techniques that will stay in my mind even if I didn’t want them to. The art was very indelible to some deep part of my imagination. There is a great sense of freedom one experiences by viewing magnificent art from another culture. I especially love the subtler expressions and character the artists achieved in the portraits done in profile. Western art loves front on faces I think. I was lucky the Met bookstore mailed my books to me because I made quite a haul. Now it is on to the Museum of Fine Arts in Boston, where I went to the Museum School, to see their collection.
My meeting with editor and art director was very productive. We discussed trim size. The shape and size of a book tells a bit about what’s inside. Beatrix Potter,(my most admired illustrator) famously made little books for little hands. I will continue with my larger sized books so I have room for the borders. I like to think when the book is opened wide, and a child focuses in, that they feel like at any moment they could walk into the page. How wonderful books are that they can take hold of our imaginations and give us worlds we could have never imagined for ourselves.
Happy creating and enjoying the beauty in the world around you.

Your friend, Jan

Happy January

     Happy January! I hope you like my monthly Hedge a grams. Besides random thoughts, I like to report on my artistic work every month, and I call it a Hedge-a-gram.  When I was quite young I wanted to be a children’s book illustrator, and I would have loved to be connected to someone who was.  Because it is the New Year I would like to add a personal reflection on a new beginning as well.
I was lucky to have parents that encouraged using our imaginations. When I say, “our” I mean myself and my two younger sisters. My mother was a preschool teacher and was very wise about the lives of young children. When we were in high school she went back to a Junior College to take more courses in childhood education.   She went to a junior college that was in a small town nearby.  The teachers there were top rate and had great expectations. Seeing my Mom go back to school and be so invigorated made a lasting impression on me.  Children always fascinated my mother and her basic rules for us meant we should be reading, playing games, drawing, or being outside. We could have two TV shows only on Saturday morning. In those days we could safely ride our bikes all over our town and explore the woods and fields. There were trails all through some of the larger undeveloped tracts of land, and I often wonder who made them and used them. I became a children’s book author and illustrator, and my youngest sister did too, Jeannie Brett. My sister Sophie became an amazing 6th grade teacher, and now a Speech Pathologist.  I am happy to say my Mom lived to see my sister follow in her footsteps and the other two of us be involved creating children’s books, her two great interests.
Once in a while events happen that coincide in a unique and productive way. This chain of events began around New Year’s and I want to write about it. My husband, Joe and I traveled to Albuquerque, New Mexico to see his son and their family. Because they have four children and have no free bedroom, we stay at a resort nearby, called Tamara Hyatt Regency. This hotel is part of the Santa Ana Pueblo and is very beautiful. There are trails through a Cottonwood woods that open up to the Rio Grande, and a beautiful stable in the shadow of a mesa sacred to the Tamayame people. This stable is very well cared for, and the rehabilitated rescue horses- at least 60 head, are like a who’s who of the horse world. Gorgeous Belgiums, Haflinger, Mustang, Paso Fino, a Shetland pony, and more than you can count Quarter Horses in all their gorgeous color combinations live in this beautiful place of sage and grasses. In the hotel, many of the staff are Native Americans and the decorations in the rooms and public spaces are traditional textiles, pottery and Native American painting. In our room we had a pottery bowl with a beautiful chicken in black and terra cotta red on cream background. As if that were not enough there was a beautiful horse and warrior painting in the traditional style. Along with the hedgehog and horse, chickens are a favorite of mine! For a few hours on weekends a Navaho silver artist named Michael visits the lodge and sells his jewelry. He also brings his tools and shows how he works. Last year I wanted to buy a piece, but he was thoughtfully explaining his process to another guest. This year I was lucky and bought a Eagle feather bracelet, because I want it to remind me of my chickens, they both have feathers after all. Another bracelet caught my eye, called a prayer bracelet. On the sides you can see motifs of mountains and grasses in three groups. Michael told me that the tradition was to face sunrise and say the prayer, again when the sun is at its highest, and one more time as the sun sets.

This is an excerpt from the prayer, which I got from the Internet.  One starts facing east and turns clockwise to the south, west, north and back to east again.

In beauty I walk
With beauty before me I walk
With beauty behind me I walk
With beauty above me I walk
With beauty around me I walk
It has become beauty again

When I got home, I woke up and faced the sunrise, but since it was 5 degrees I did it from my upstairs window. I noticed all around that window frost flowers had formed in beautiful patterns. Then I went off to check on my chickens and pack for a road trip to Vermont to meet my daughter and her family for skiing. Just before leaving I snapped a photo of the frost patterns. When I got home I painted them in on the book jacket of THE SNOWY NAP.  The frost flowers were just the touch it needed.

I really love to stop and think about beauty three times a day in a purposeful way. It really nourishes me and I get energy from it. The web has some very beautiful Navaho and Native American prayers on it. When I went back down to buy my second bracelet from Michael I showed him an article I had just read in Outside magazine about a Navaho track coach who organizes a 55k race in Arizona’s Canyon De Chelly. The special thing about this long distance race is that the singlet you wear in order to be in the race enables you to follow the course through sacred land, a beautiful canyon. It turns out that Michael, even though he lives in Albuquerque now, went to that same high school.  The race is a little too long for me, but I got a good start on my training by running a 9 miler in my old town next door where I grew up on New Years day. It was 12 degrees but I was warm as toast with all my layers.
I am late, late, late with getting in the finishes for THE SNOWY NAP, but I am revitalized and very happy with my new work, especially the frost flowers!
I love that the New Year means new beginnings, and I wish you all the best in 2018 and a fresh start and renewed energy in your creative life.
Happy New Year,

Jan Brett

Happy August!

I love August because so many in our family are born in August, and are Leo the Lions, my husband Joe, daughter Lia, daughter-in-law Catherine, and Grandson, Gavin.
We are out in the Berkshire Hills of Massachusetts for the summer, as my husband Joe, plays the Double Bass in the Boston Symphony Orchestra. I have several children’s books with musical themes, BERLIOZ about a bass playing bear, and GINGERBREAD CHRISTMAS, where inside you can see instruments of the Symphony Orchestra made of gingerbread, as well as the gingerbread baby himself.
Much has been written about art imitating life, and how the everyday world inspires the imaginary world or when the two merge. An interesting incident happened as I was hard at work on my new book THE SNOWY NAP that is a curious example. My studio is part of a sprawling log cabin set up on a cliff overlooking Goose Pond. I share my studio with Little Snow, who became our pet when I needed a model for the white rabbit in THE ANIMAL’S SANTA. He lives in a fairly large, open area in the cabin also made of logs, raised up on legs, and he is close enough that I can look over my shoulder at him. You may have seen him when I went on the three week book tour in 2014 on our bus, he came too. I was intensely working, listening to an audio book when out of the blue there came a hard rap, almost a bang. We live in the woods and thought a branch had come crashing down on the roof over my head. I took a quick look out the windows, fore and aft, but didn’t see anything, so I went back to work. Again I was startled by a resounding, sharp, very loud rap, only this time, I realized it came from Little Snow’s corral. I got up again and realized he had thumped the floor with his strong back foot. We’ve had little snow for four years and he does all sorts of antics, but he has never made this very loud bang. I knew that wild rabbits thump the ground when they see danger to warn other rabbits so I checked out the windows again. It was morning, and the woods and lake were sparkling in the dappled sunshine. Little Snow seemed a little frozen in place, but seeing nothing, I turned to go back to work, peeking out the hard to get to window beside his pen as I did so. There was a black bear’s face looking up at me!
The amazing thing for me was that Little Snow is a domesticated rabbit. I can’t imagine how many generations his ancestor bunnies have lived under human watch. Yet he recognized that the bear was not in his comfort zone. Then, not two days later, a friends brought their chocolate lab to visit. He ran into my art studio and looked right into Little Snow’s corral, it’s hinged door wide open. This time Little Snow ran to the other side but didn’t make his alarm thump.
As long as we have had Little Snow he’s never even seen a dog. I am left wondering about animal intelligence and instincts and I am waiting for the next alarm thump to help with my theory that our pets have complex behaviors that are sometimes hidden from us.
In THE SNOWY NAP, I overstate the interaction between Hedgie the hedgehog and the farm animals as my imagination takes my story into fiction. Hedgie takes a last ramble around the farm before the snow flies, and for him, hibernation. When the animals gently taunt him about what he will be missing, Hedgie tries to stay up to see winter. This doesn’t work out, and luckily, before he is frozen, he is rescued by a little girl who brings him inside for warmth and food. Outside, the animals can see his wonderful life inside as he views winter scenes from his cozy window. At the first opportunity the outside animals move inside!
I am working on the finishes of THE SNOWY NAP, and the beginning pages are sequential. I have a book dummy that maps out the exact 32 pages the book will be. My next spread will skip ahead to one of the snowy scenes, and then I’ll do the farm animals and wild animals in the house scene which is uproarious and funny. The publisher, Penguin Random House likes to have a partial dummy to promote the book early on, way before the book is due which is why I do it this way. I love this stage of the book when I feel I can enter the world I’ve created, it seems real.
I will probably get started writing the book that will follow. It is set in India, and has a tiger as the main character. The working title is THE RUNAWAY SLIPPERS. Four years as go I went to India and saw a wild tiger in a large game reserve from a jeep. It was very cat like and very large. You know when a tiger is on the move because the deer bark, and the monkey scream warning. Nothing can prepare you for the sound of that roar that makes hair stand up on the back of your neck, or the sight of the slinky, cryptic, majestic striped presence.
When I’m not looking forward to the next book, I am getting excited about my first early book signing on Cape Cod. I hope Cape Codders will stop by their famous historic bookstore, Eight Cousins, to let me sign them a copy of THE MERMAID. It will have been just published. My usual national book tour will start the day after Thanksgiving. All the details will be on my website. I am about to send copies of THE MERMAID to Bailey and Tony at the New England Aquarium. They introduced me to “Sy”, the Giant Pacific Octopus who features largely in THE MERMAID. Every year I make a picture of a momentous day in our year for my husband. This year I painted us at the aquarium, the day of our amazing visit. I made copies for Bailey and Tony, only I think their minds are totally emerged in the fascinating work they are doing with the aquatic creatures that make up their world at the New England Aquarium.
When I’m not painting I have been trail running on the stretch of the Appalachian Trail two miles from our cabin. The “thru” hikers, the intrepid people who have hiked from Georgia, are traveling North in large numbers this month. Upper Goose, the lake connected to us by a small channel has Appalachian club cabins for hikers to stay at if they choose. I really enjoy meeting the hikers who tell me their “trail names” which I then put up on my wall. The trip to Mt. Katadin in Maine from Georgia takes six months. It takes a lot of mental fortitude and physical endurance. They hike through weather extremes and with heavy packs. The tradition is that if you share the trail, or just want to show your admiration, you can offer trail magic. I tried to perfect my choc chip cookie recipe when my daughter was in Iraq as a US Marine and I was   told my recipe was good, so that’s what I bring on my runs to give as   trail magic. Here is my recipe, which is off the choc chip bag with a few modifications. I mostly concentrate on really good ingredients.
Sift 2 and 1/4 cups King Arthur flour
3/4 teas sea salt
1 teaspoon of baking powder
Combine after mixing the following:
1 and 1/2 cups brown sugar
1 cup Kate’s homemade butter, softened
3 of my chicken’s eggs( they are bantams), use 2 store eggs
1 teaspoon Baldwin’s vanilla extract or substitute high quality
1 bar of Ghiradelli’s white choc bar chopped up into small chunks
I LG packet of Ghiradelli’s semi sweet choc morsels.
I cook at 375 degrees for 8 minutes, but adjust to your own oven
So far, the thru hikers I’ve met are:

Honcho, Shop Teacher, Chugging Along, All Aboard, Speedy, Night Hawk, Slim Jim, Bear Pop, Capt Bob, Hiking Home, Young Gandolf, Blue Bird, Dr. GO- MO, Ogi, Two Step, Pio, Stack, and Warden.

I hope hikers stop at Goose Pond’s AT Cabins, I’ve only seen the cabins from the lake, but Upper Goose is a beautiful clear lake with great swimming.
Tonight I will go hear Joe play at a Symphony concert and let the music take me away to more interior worlds. Maybe we’ll see meteors over Tanglewood since we are near the Perseid meteor shower time, when the earth is going through the tail of 109P/ Swift-Tuttle Comet
Good luck with all your creative projects, and Happy Birthday Leo the Lions!
Your friend, Jan Brett

I hope the photo of the bear isn’t too fuzzy, I try not to get to close and allow the bear to get used to people. Then they will become nuisance bears and have to be relocated.

Snow’s window is center left. He can stand up and peer down into our keyhole garden with a cascading bird bath. Maybe the bear was having a drink, because we do not feed the birds in the Berkshire because it attracts bears.

I would never have guessed Little Snow, a domesticated rabbit would see a bear outside the house through the window and sound the alarm thump. It is the first time he has done it so dramatically.

Little Snow has gotten a lot bigger since his roll in my 2014 book THE ANIMAL’S SANTA. He is corral is next to my art desk, and he has a view into the woods.

Research for THE SNOWY NAP

Happy July!

This is probably the most interesting time of the year in regards to my new book, the working title being THE SNOWY NAP. I always stop my work so I can write a bit about my work process. I like hearing about other artist’s approaches, so I we will describe my own for anyone who is interested.  I am, and always have been fascinated with the children’s book form. I think it is unique in commercial products because it is individually crafted. I do have a team I work with, the art director, Marikka, and the editor, Susan, and I don’t want to minimize their impact and efforts.  Much of a traditional children’s book though, is from the mind and hand of one person.
I have written the manuscript for THE SNOWY NAP, and completed the 32 page book dummy, a miniaturized and sketchy, cartoon version of my story. I had a meeting with the editor and art director at Penguin Random House in NYC last month, where they offered me their ideas and reactions. I’ve completed several finished pages and this is where the fun begins, because I can see the world that I am creating. Because I am using the characters, setting, and trim size of THE HAT, a picture book I wrote 20 years ago, I had the challenge of making it different, but I am still trying to stay true to the culture of Fyn Island in Denmark.
My husband Joe Hearne is a classical musician, and I have always loved the concept of themes and variations. If you are teaching children you could illustrate my idea with two pieces of music. Benjamin Britten’s The Young People’s Guide to the Orchestra, which is variations on themes by Purcell or Brahms Variations on a Theme by Haydn. THE SNOWY NAP is a variation on the theme of THE HAT.
In order to make THE SNOWY NAP distinctive I changed the palette, especially in the border.  I love birch, it is my favorite tree, and over the years I have collected books about crafting with birch, and various artifacts made from birch. I have Lapti, plaited shoes from Russia you can see in THE TURNIP, ornate layered birch boxes also made in Russia, and carriers and vessels made from Native Americans.  Splendiferously I had an old copy of INTERIORS magazine (I never throw them away), that has a photo shoot displaying China in a quaint setting of shelves decorated with old newsprint cut in serial geometric shapes kind of like paper dolls, where you fold the paper, cut the design, then open in up. Instead of using newsprint, I used birch bark with the pink side out. If you find a piece of birch bark it is hard to decide which side is more gorgeous, the papery, white exposed outer bark, or the interior shell pink side. Well I chose the pink because I’ve used the white in other books like THE MITTEN and HOME FOR CHRISTMAS. The rest of the border is knitted stitches with Nordic patterns, some of which I kept from Danish Museum trips when I went years ago for THE HAT to give the book a cozy feel.
One of the changes I’m making in my art, is to make it a little more crafted. It is a bit of a reaction against the use of technology and computer art, which I accept is its own thing, and possibly a new art form, but I feel my work is a continuation of the art style of Beatrix Potter.   It is a little hard to explain, but I feel that painting each stroke in a picture over time gives the art a soulful quality.  I read once that in some cultures, I think one is Navajo, and another culture is Middle Eastern, that when creating a weaving or perhaps beadwork in the Native American art, the artist intentionally flaws the design in a subtle way to show their humility. I think all artists grapple with the perfection and extraordinary beauty of the world around us as we try to create art.
Good Luck with your endeavors and creations!

Your friend,
Jan

In Okinawa Japan with my grandson Brian

Happy July!

Although summer time usually includes a vacation for many, for me, I am gearing up with the illustrations for my new book. This July it is THE MERMAID AND THE THREE OCTOPUS. Every month I pause for a time to talk about where I am in the process of my book in hopes that you may share my interest in creating books and drawings for children.
What I’ve accomplished so far is a retelling of the classic Goldilocks and the Three Bears story, and I’ve created cartoon-like illustrations in a 32 page book dummy. I completed the dummy and then went back and reworked the ending, changing the images after completing the first version. I wanted a final spread showing the mermaid with her new and old friends swimming away through the beautiful coral reefs. But to get the full effect of the undersea gardens I wanted a double page spread. The book actually ends on a single page. For the last page, page32, I show a happy ending for the octopus family, especially baby octopus who after a big commotion and confrontation finds herself with a gift from the mermaid, a beautiful pearl and coral tiara. The beauty of working on a dummy is the ability to change things when they become clear In the language of pictures, before too much time is spent on the finished spreads. I make the dummy with typing paper cut to about 2/3rds the size of the trim dimensions in the actual book. The trim size is one of the first things I, the editor, and the art director, decide on. Since I have done two “Goldilocks” books in the past each with a different trim size, I chose a size that would leave room for my border idea. In the original story the three bears go for a walk while their porridge cools. In my undersea version they go for a stroll but the baby octopus is unhappy because her parents make her wear a peculiar and she thinks, ugly, hat. In the borders she tries to lose the hat. That makes it an especially happy ending when the baby octopus ends up with a gift from the mermaid, a beautiful tiara. I find that children enjoy a little humor and I am hoping they will think its funny that the baby octopus is given a live hat.
I have always loved porcupine fish. They remind me of ocean going hedgehogs. It seemed natural that the mermaid would be traveling with a friend, and that the friend could move the story forward by prickling the grumpy octopus. I had to walk a fine line between making the octopus mad by having their things eaten and played with and just being curious. The funny looking porcupine fish makes the scenes kind of funny. I have a reference book called FISHFACE and it is full of very expressive fish faces, although its anybodies guess what the fish are really thinking. I have been to the New England Aquarium twice since starting my book, and it is easy to get lost in the world of fish in the central tank, and in the reef fish exhibit. Sometimes I am amazed I have a job where its important to look at fish! The trouble is like iridescent birds, it’s impossible to capture their beauty. I have an invitation to see the aquarium’s octopus from the aquararist’s side but a date hasn’t materialized yet. I have seen Anna the octopus twice from the public’s side, but she is remaining very shy. Apparently octopus have very individual personalities, and for now, Anna is settling in. I’m very glad I saw a baby octopus in the wild in Okinawa while snorkeling. It was right beside a baby Lionfish. That is a beautiful but venomous fish that lives in the coral reefs in Okinawa. When reading the hard to find but wonderful A DIVER’S SCRAPBOOK by John Chandler he remarks that if a sea creature does not move away from you, ask yourself, “Maybe it doesn’t have to?” Luckily when I went snorkeling my son in law gave me booties and gloves along with the advice not to poke anything.
The fun part of painting the illustrations is reliving my underwater experiences, although they were fewer than I would have wished, knowing what I know now. Two of the adjustments I have had to make are how everything is almost weightless, as in the mermaid’s hair and how almost every view fades into deep blue. The other adjustment must be utilized in painting the fish. Almost every fish guide show the fish from the side, while in reality they are seen in all perspectives. Add to that, many sea creatures are iridescent and some, like the octopus change color and shape plus some are see-through!
Because I set my story in Japan I am very glad I lugged back lots of big colorful books about that culture. My story is set in the olden days, so I rely on art books too. On the twelve or so trips I’ve taken to Japan I have brought back toys, antique printed indigo cloth and folk art. If anyone has visited Japan they will recognize lots of references to Japanese culture. The octopus wear kimonos and Okinawan hats (except for Baby). Even the seashells and coral shards found on the beach I brought home have found their way into my pictures. Even if the child knows nothing about Japan, it is nice to think their frame of reference has widened a bit. I think that is why as a child I loved reading THE JUNGLE BOOK about India, ALADDIN AND THE MAGIC LAMP about Persia and THE STORY ABOUT PING set in China.
Happy armchair traveling, or even better, the real thing!

Your friend, Jan Brett

At the Lucasville, Ohio Poultry Exhibition

Happy June,

This is the time I stop every month to write some tidbits about my life as a children’s author and illustrator. If you know of me at all, you know that the illustration part of the process is the creative engine for my books. I am an avid reader, and I marvel at the level of nuance and creation of other worlds that authors can create. It never ceases to be a miracle that someone else’s mind can be seen via their books. And all the time, we readers are receiving those words and believing them or not believing them. It is so deeply satisfying when a writer’s words ring true and allow you to see a part of humanity, or part of the animal kingdom that has never seen the light of day in one’s own mind. I am reading the autobiography of Oliver Sacks, an author who’s work I deeply appreciate. The first book I read was THE MAN WHO MISTOKE HIS WIFE FOR A HAT. Sacks was a neurologist who described in an eloquent and loving way some of the bizarre mental conditions he has seen in his practice. One of my favorite books he has written though, is OAXACA JOURNAL, a book about a trip he took with the Fern Society. Anyone who goes to Mexico with the Fern Society to see ferns is walking an unusual path. I love ferns, but have never gotten further then buying a few books about them, planting a lot of varieties, and putting them in every book I can!
But Oliver Sacks always thinks in great depths about a subject. This last book though is rather shocking as I had him pictured as a curious, sedentary, friendly uncle type. He has a quote at the beginning of his book that was written by one of his teachers when he was of a young age. “Oliver will go far, but I hope he doesn’t go too far.” It reminded me of a similar remark a teacher made about a relative, “All geniuses are odd, but all odds are not geniuses”. Human being have such a large capacity to explore a subject, and let it become their whole world. I’ve known a few geniuses in my life and it is really interesting how they manage to come up for air when engrossed in their field of interest.
I am just finishing the first spread for THE MERMAID AND THE THREE OCTOPUS. We moved up to our summer camp (cottage) and I got to look through all the coral shards and shells I collected in Okinawa, Japan over the last 20 years. My daughter and her husband who are Marines were stationed there three times. Little did I know way back then how much my heart would be captured by that place and that in the future I would set a book there. A year ago I was snorkeling at one of the incredible dive sites where I saw a baby Octopus. By now it is probably huge, or been eaten by another sea creature. I love to sit at my work table and recreate my memories of the ocean there. I was astounded that so many people video tape their spear diving excursions. It’s as if you are swimming through the coral reefs as you watch YouTube. Of course I have to close my eyes when they spear the fish! I am in absolute heaven working on this book. The experience is going to get even more emotional when next month I will visit the New England Aquarium and visit their Giant Pacific Octopus. If you are curious about the natural world I would suggest THE SOUL OF THE OCTOPUS by Sy Montgomery. She has also written a children’s non fiction book, a companion to it called THE OCTOPUS SCIENTISTS.
Joe and I just drove from Massachusetts to Lucasville Ohio to a Poultry Show (not a fair) and for some reason an idea popped into my head about a house hedgehog. A friend, who I gave a chicken to, made the chicken into a “house chicken”. It watches TV with them and is a pet. I got thinking about how Hedgehogs hibernate and never are able to see the depths of winter. I love winter and all its beauty, so I’d like to write about a Hedgehog that gets taken in for the winter by a little girl and gets to see the loveliness of snow through the window. Obviously fiction but a great way to to paint winter scenes and especially a Hedgehog!
I hope the changing of the seasons is invigorating for you, and ideas pop like popcorn for new creative projects.
Your friend, Jan Brett