April 2014 Hedge a gram

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Hedgie and Jan Brett greeting the students at
Oakview Elementary School, in  Simpsonville, South Carolina.

Happy April!

This is Jan Brett and this is my April Hedge a gram.   It’s the time I take when I stop my work on my book, take a breath, and try to communicate what I’m doing in my profession.  When I was young, I desperately wanted to be a children’s book illustrator, and I wanted to know what it was like to live that life.  I’m hoping that by describing all the activities we’re doing, it may give some insight to future artists, writers, and teachers of children’s literature.
I am in beautiful Greenville, South Carolina, at the historic Poinsett Hotel.  Yesterday, I spoke and meet all of the children at Oakview Elementary School.  This school won the school and library visit contest last year.   The Upcountry History Museum in Greenville is having an exhibit of artwork from fifteen of my books and last night my husband Joe and I went to a reception.   It’s a fascinating museum specializing in the history of Northwestern South Carolina.  The museum mounted not only my illustrations, but also a superb collection of student artwork from Oakview School.  Two pieces of art from the student’s exhibit were given to me.  They will have a place of honor in our house.  The children used some of my techniques, such as using details, and borders and animal characters.  Then they took their art to another level using interesting mediums such as torn paper, and collage and metal work plus their own soaring imaginations.  It was very inspiring for me to see such talented ingenuity.  Please, please, please, take some time to create your artwork, or write down your thoughts.  The world becomes a vibrant and exciting place when one is surrounded by creativity and beauty.  I spoke to every child at Oakview School and asked them about their interests.  Almost every child not only had a creative interest, they loved reading but also did a sport.   When I asked them what their dream vacation would be, I was impressed by how many want to go somewhere exciting and interesting and different.   And answers were as varied as Hawaii, Miami, Russia, India, China and Dubai.  I felt I was among kindred spirits because I have found travel has helped me create my books.
My school visit to Newfoundland two years ago, definitely influence my decision to set my fall 2014 book, THE ANIMAL’S SANTA in northern Canada. The animal characters are from northern Canada, Arctic Fox, Porcupine, Moose, Lemmings, Red Squirrels, Snowshoe Hare, and Snowy Owl.  The borders are inspired by Native American Porcupine quill embroidery that I first started collecting on a trip to Canada.  I’m currently working on my newsletter to children about how I got the idea for my book.   It includes descriptions of the beautiful first people’s native embroidery.  The letter tells about the Snowy Owl, which remarkably was very visible in my area of Massachusetts this winter.  The Snowy will travel southward when the Lemming and Snowshoe Hare populations are sparse.  We even had a Snowy in the next town to us, Scituate.
I have done one page of my 2015 book, THE TURNIP and have sent it to my editor to see.  We are still working on the manuscript because it will be set in an appropriate typeface and I will know how much room to leave in the artwork.  When I first send the page, it is always a bit of a wrench because we are still trouble shooting at this point.  I have to steel myself  for  any criticism and be honest with myself and be open to the fact that the criticism might just be right.  I say this because it is easy to think a book just flows like a fountain of creativity and there are  no mis-steps.   I have an editor who I really trust and I also listen to my husband, Joe, who although he is a musician has very straight forward and helpful opinions.
It turns out that my school visit has come at a perfect time, because after seeing how much Oakview School strives for excellence and has succeeded, I want to do so as well.
Have fun being creative and keeping up the high standards we all so admire.

Your friend,

Jan Brett

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March Hedge a gram

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THE TURNIP sketch

Happy March!

I am turning cartwheels with enthusiasm about starting off with my latest book project.  Every month, I tell about what is going on in my life as an illustrator, I call it my hedge-a-gram, and this month is unique because I’m underway with THE TURNIP.
My contact with my publisher is for a children’s book every year, this yearly work cycle is really ingrained in my mind, since this is my 36th book.  What I really would like to express is how powerful and confirming a creative project can be.  There always hurdles, and it is easy to be impatient, but the rewards are like nothing else.  Please give it a try.  I’ve always struggled with the irony that my most satisfying way to tell a story is with drawings not with words.  For me words tap into another world where a story carries you, and I wish I was an inspired writer.   I’ve always been incredulous when after reading a work of fiction, I feel I’ve been in some of the places described, and that the characters are alive somewhere.  I don’t feel the magic when I am writing as much as when I’m drawing, I wish I could.
It doesn’t matter how you are creative, but that you use your imagination in some medium.  It may be that with all the knowledge children are learning in school in order to do well in tests, it will be up to the parents and friends to encourage kids to write fiction and draw and paint.  My sister, who was taught for as long as I’ve written books, says in 2014 children are still bursting with creative ideas.  I don’t doubt her. Sometimes a big success for a child, say actually writing a small book or creating a poster can resonate later and lead to more and more creative projects.  I remember in high school I illustrated GREY’S ELEGY IN A COUNTRY CHURCH YARD for a favorite English teacher.   I hope there will be time for this in the classroom, but if not it’s good to carve out some time at home.
I was once given a beautiful, simple carved wooden toy from Russia of three people and a bear pulling a turnip out of the ground.  I thought it was charming and I remembered the story it went with, THE TURNIP.  The premise, of finding a giant vegetable really tickles my fancy.  I have an acquaintance who grows giant pumpkins, over 900 pounds, and I’ve been to the pumpkin patch.  “It could happen”, I said to myself.
When I traveled to St. Petersburg, Russia, 2 years ago to do the research for CINDERS, I had in my mind that I would like to retell and illustrate THE TURNIP in a few years.  Although we passed through farmland on the way to Novgorod, I didn’t see any small farms like we have in New England.  Instead I relied on the Russian Museum of Ethnography and their vast collection of books about life in the olden days.  The clothing and buildings in the old villages were very artistic and colorful.  The printed cloth fabrics of the garments were lovely and each one, with its trim and embroidery seemed a work of art.  I knew I would be very happy to paint the combinations of color and design, especially when a turnip would be the central image, purple and yellow.
My Russian family in the book are European Badgers.  They are rolley, comical, strikingly colored animals that cry out for a story behind their mischievous expressions.  From what I’ve heard and seen on the Internet, they are naturally playful and social.  The other main character is the Russian bear.  In my story she’s a mom with her hands full getting her cubs into their den to go to sleep for the winter.  Unbeknownst to the badger and friends who are trying to pull the turnip up, beneath them underground, the turnip has grown into the space that would be the bear’s bedroom.  When mother bear gets fed up, and gives the turnip the one two… The animals topside are in for a big surprise.
I’ve taken quite a few folk tales and given them a new twist in past books.  My husband, Joe, who is a classical musician, often plays works that are theme and variations, or reworking of an older piece of music by a master.  My favorite is Brahm’s Variations on a theme by Haydn.   I think I feel happy using this device in my picture books because my grandfather, William Thaxter was a great storyteller.  Every time he told a story he embellished it in a slightly different way.  We children loved listening, and even if we knew the end from before, we reveled in the telling.  For me, that’s something to aspire to.
Happy storytelling in your own special way, your friend,

Jan Brett

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February Hedge a gram

blogThe Animals’ Santa Endpapers

Happy February!

I’m greeting you this month with lots of positive thoughts. You may already know that every month I take a snapshot of my work in progress – a children’s book, but also the many other activities that go along with it. I have just finished THE ANIMAL’S SANTA and the original art will be on its way to the printer in China to be scanned and printed in a test run so it can be color corrected by the art director. I am always urged to be timely, so bound books will be ready for Book Expo where I’ll be signing in May. The folded and gathered copies will also go out to the Penguin sales force to be shown to book buyers. We are also blocking in dates for next fall’s book tour.
I have such mixed feelings about sending a book off. Number one thought is I’ve still got so much more to add and polish. I’m always reeling with the litany of fixes and corrections. And I have to listen to them all because sometimes they are right (this is my editor and art director) and sometimes they save me when I have lost my concentration and reversed the stripes on a character’s sweater for example. It’s really unprofessional to have inconsistencies in the art, and language as well for that matter. Throughout the year that I’m working on the book I am constantly trying to get the images right, the best that they can be. But the danger is, that once I’ve experimented with let’s say a costume change, I have to go back and change all the images of that character. This sounds logical, but I definitely have bursts of creative energy that I want to utilize, and doing the simple changes is time consuming, and I would rather use that feel good time to work on the more important aspects that key into the nature of the story. So the menial changes get put on the back burner.
For the last three months I’ve been working more intensely on my book as the deadline got closer, and here’s another dilemma. When it comes to time management, I just work on my book. My husband Joe is very supportive of this. But, if I work super intensely, the downside is I don’t get to run when I can clear my head or put my mind in another place like at a Symphony concert to gain perspective.
The other difficulty is criticism. If at the beginning of a project, there is too much criticism, I feel like my book is getting sullied, and I get mad. So its better if I have a longish period to work on my own until the story firms up. But then I have a momentum going and I find it unproductive to listen to the criticism then. If I wait to almost the end, then I may have to change other elements as well because I’ve gone in a direction that’s not working, then the back sliding is discouraging. Because of technology, I can complete a page at midnight and send scans to my editor and the art directors for them to see first thing in the morning the next day. I am still working on this one. I need large tracts of time without negative input.
Happily, the day I sent off the end papers, with mistakes corrected, I started writing my 2015 book THE TURNIP. It’s based on a Russian folktale that is sequential. People all try to pull a giant turnip out of the ground. In the original Russian the fun of the story is that the word for turnip in Russian rhymes with Grandfather, Grandmother, etc. so it makes it into a tongue twister. For years I’ve been trying to find an element that would replace the tongue twister fun with something just as appealing, preferably in the borders. I finally figured out what that something would be, when on one of my runs I imagined a bear entering her den for her winter deep sleep and finding the root of the turnip in her bedroom. She gives it the boot, and all the characters topside are amazed when it comes flying out of the ground.
Even though it sounds a little intellectual about the choice of this story, my main reasons for retelling it is that I can paint the turnip, with its purple/magenta top fading to cream, and then to a marigold yellow. And, ever since we visited the Museum of Ethnography in St Petersburg, I have wanted to paint the everyday rural dress, including the woven birchbark shoes, tools and carved farm implements I saw there.
When I was visiting our friends Gudrun and Elof in Sweden on the family farm I was fascinated by the badger dens. I never did get to see one, only one badger’s pelt. But the European Badger is a very unique looking animal, perfect for a children’s book character, with a mask like our raccoon and a big black round nose. I can’t wait to draw them all, and I am starting on thumb nails. Then I will revisit my first draft which has been given a thumbs up, then on the the dummy. I brought suitcases full of books back from Russia, and although I can’t read most of them they have lots of pictures of exactly what I’m looking for to create my scenes. So I am in the blissful, excited part of my book process.
Good luck with all your creative endeavors,

your friend,

Jan Brett

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January 2014 Hedge a gram

animal_santa_page_10-11The Animal’s Santa

Happy January!

It is wonderful to be writing in my art studio with almost all of my new book, THE ANIMAL’S SANTA, including the jacket, up on my bulletin board. It takes up one wall of my room, and like most picture books, there are 32 pages. Once I finished the last page I can go through all finished artwork, color correcting the backgrounds, and making sure all the character’s clothes and details are consistent.
I love how the snowy setting matches the 2 feet of snow outside my window. It makes me think back to last summer when the hot weather, green leaves, and hummingbirds at the flower boxes made my winter scenery seemed very far away. In a way, the last month I work on my book is the most fun of all. I have a deadline so I hole up in my art studio, and say “no” to almost all other activities. One of the challenges of being an illustrator that works from home is the constant interruptions that a normal life brings, but that are not easily put off like if I were in an office somewhere. A gorgeous Flicker woodpecker just came to my studio window where there is a bird feeder. That’s a perfect example of why I wouldn’t want to trade my work place.
I’ve been reading Ann Patchett’s new book of collected essays, and I felt all my inner bells chiming in sympathy when she described her writing process. I highly recommend her essay which is a response to aspiring writer’s questions on how to begin and work.
While I’m working, my mind has been drifting back and forth to book projects I have to choose from for next year’s book. The day after I sent in my final page of art, I begin writing my new story. I have vied back and forth between a gingerbread story and THE TURNIP, a Russian folktale and finally decided on THE TURNIP. I have a really good idea for the border. This will sound silly, but I raise chickens and every year I bring up about 60 babies to adulthood. They get colored leg bands so I can keep track of who’s who, but they also receive names on a theme. That way, when the ones I keep for myself grow old in my mixed flock I’ll know how old they are by their name. For example, my hen Sugar Pie is from the year I created GINGERBREAD FRIENDS and Thule is from the year I did THE 3 SNOW BEARS. My hens went broody early this year, so I had to give them hatching eggs to set on. Those babies will appear in 3 weeks so I better be ready with names! I used every Russian name I could find for CINDERS, so I’m trying to think of another category for them that will relate to THE TURNIP and I’ve crossed off vegetable names. I don’t want chickens named Potato and Brussels Sprout!
I’m always enthusiastic about new beginnings, and ways of improving myself, but this year I haven’t come up with a New Year’s resolution. I think now that I’m thinking about it, my goal for 2014 will be to use more color in my new book. THE TURNIP is the perfect place to start because number 1, it is set on a farm in rural Russia in the olden days, where brightly patterned clothes were worn, and number 2, turnips are the most beautiful of vegetables, with golden yellow bottoms and pinky purple tops! Maybe I will name my chicks after colors.
Good luck using your imagination and storytelling to create a unique story this January!

Happy Creating,

Jan Brett

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