Archive for the ‘Jan Brett Posts’ Category

August 2010 Hedge a gram
Happy August!

    August is my favorite month because my husband and daughter are both Leo the lion’s. This is the time when I stop everything and give you a snapshot of what I’m doing as an illustrator, for those of you who are aspiring artists and writers, or who are teachers or librarians who teach the creative process.
     I am one quarter of the way through my 2011 picture book, HOME FOR CHRISTMAS. I’ve already plotted out the story in my book  dummy, which I have showed to my editor Margaret, art director Cecilia, and designer, Marikka. The book dummy helps me plan how much wordage to put on each page, knowing that I will edit out about one quarter of the original manuscript. I make my dummy like a small book, with sewn pages so I can turn each page. There is something slightly suspenseful about a book, and how with each page turn, a new scene will reveal itself. If I show my main character, Rollo the troll, from a distance in the first few spreads, I want to show a close-up of him before the story gets going, so we can get to know him. Besides having a tail, which trolls are known for, he also is small and wiry. His face is heart shaped, with a low hairline which is shaped somewhat like a hedgehog’s. His large pointy ears make me quite sure he’s of the elfin clan. I tried to make his expressions mischievous and feral, as if he is not an animal but he is not like my 10-year-old grandson either! Because he’s so wild, I can imagine him off in the woods for a couple of months, here his human counterpart couldn’t survive. Some of the best stories, whether they are science fiction, Greek myths, or stories where animals talk, work well because of the new reality that my characters live in.
     I’ve noticed that when I see children’s drawings, they
very naturally create characters that are not human, but have adventures,attachments, and problems that are like people. It’s inspiring to see children’s characters that have special powers or some amazing attribute like sparkling hooves or green hair.

 

 

 
HOME FOR CHRISTMAS
Page 8 - 9 Sketch 

  
HOME FOR CHRISTMAS
Page 8 - 9 Finish

     I’m working very hard at re-creating the remote and ethereal landscapes we saw on our trip to Sweden. I don’t believe that I’ve lived another previous life, but when I experienced the land up around the Arctic circle, in Norway, Baffin island, and in Arctic Sweden, I feel like I’m reunited with a long-distant but familiar place. I want to lie on the ground and smell the lichens and moss.   My art table is covered with birchbark, the material that will form the borders of my book. I always see little faces and animals on the bark because of the irregular black and white patterns. I’m going to put a few of my accidental creature appearances in the border, even though they don’t move the plot along. Perhaps they speak to an olden days time when people look carefully at the natural world in order to see signs that help them read what has been happening in their world. Maybe they will add to a whimsical atmosphere.
HOME FOR CHRISTMAS
Research in Kiruna Sweden
     Besides HOME FOR CHRISTMAS I’m very happy to know that my 1998 version of THE NIGHT BEFORE CHRISTMAS picture book will be reissued with the companion CD. The Boston Pops commissioned a musical version of the 1823 poem by Clement Moore. My husband Joe plays in the Boston Symphony Orchestra, and when they were little, we loved to take our kids to the Pops to see him play THE NIGHT BEFORE CHRISTMAS. The music is so magical you can feel your skin tingle. Years later when I illustrated the poem, I set it in Stockbridge Massachusetts a few miles from where we live, the Boston Symphony’s summer home. I like the way the book came out, but I’ve always wanted readers to experience the music. Now, my dream has come true. The narrator will be Jim Dale who will really make it come alive. The other musical pieces that I’d love to illustrate, are THE FIREBIRD by Stravinsky, PEER GYNT by Edward Grieg, and PETER AND THE WOLF by Prokofiev. First, though I have a turtle book in the works and a folktale called THE TURNIP that I would like to do. I have a wooden toy that is an enactment of THE TURNIP. It shows people and animals trying to pull a giant turnip out of the ground. I love turnips and especially if they’re yellow with pinkish purple tops. What a great color combo.   I hope summertime has given you some time to work on your own picture books and creating unusual characters.   Happy reading, your friend,

            
Jan Brett

 

 


THE NIGHT BEFORE CHIRSTMAS

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July 2010 Hedge a gram
Happy July! This is Jan Brett and this is my July hedge a gram, my monthly communication about my work as an illustrator and writer of children’s books. I like to offer a progress report on the book I’m working on, and hopefully give you some insights about creating a storybook, with pictures of course. I separate the process into three parts. First, there is the idea for the story that involves a complete plot - the hardest part. I see the story told with a border idea that involves some kind of subplot, so that plot should be envisioned too, before I travel to a foreign country to get ideas. Sometimes the story will take 10 years
before all the pieces fall into place. The second part is writing the manuscript, which may go through two or three versions that I talk about with my editor, Margaret Frith. At this point I sewed together typing paper into signatures of four pages that will add up to a 32 page book, the usual number for a picture book. This is called the dummy. Then, after meeting with Margaret, I’ll begin the finishes. We will look for technical pitfalls — like putting a character too close to the center of the spread where it could be obscured, or we may talk about the color palette, or the age of the characters. Most importantly we will talk about the pacing and where I may choose to take out parts of the manuscript I can best describe by illustrating or places where I may want to explain in words when the action doesn’t seem clear in the dummy.  For me, I like the book to be loose and flexible so the illustrations can dictate the shape of the story as it progresses.

In Sweden for
HOME FOR CHRISTMAS
     I’ve been tramping through the woods looking for pieces of birchbark, especially ones with interesting patterns of lichen. Several years ago, I found a huge, very heavy, scientific book about lichens. I have some sort of fascination with them.  On a previous trip to Scandinavia, I met Norwegian’s who collected flat stones with interesting map lichen on them. In arctic Sweden my friend Elof took a lot of photos of characterful lichen patterns for me to use in my book. 
     The decorative borders in HOME FOR CHRISTMAS I painted to look like birchbark. In the open air national cultural museum in Sweden, called Skansen, I was able to see objects made of birchbark, or carved from birch. I’ve always been fascinated by the paperlike quality of pieces of birchbark found on the forest floor. When I was little, I really wanted a birch bark canoe, but had to settle for writing letters on birchbark. The other intriguing plant I became obsessed with is the Lingonberry. I just had six Lingonberry plants put in around our turtle pond. Every time I go to the store I buy a jar of Lingonberry preserves. I love them on my homemade bread (toasted) or in yogurt. I will include my homemade bread recipe at the end of my hedge a gram. Be prepared, if you make it, that it is quite thick. I think it’s pretty healthy.

Lichen covered rocks in Arctic Sweden 

     The bread we sampled in Sweden was scrumptious - perfect for someone like me who likes things crunchy. In the olden days flat bread would be cooked in a circular form, flat as a pancake with a hole in the middle. The rounds would be strung on a pole up in the ceiling, and they would last the winter. Some of the fancy rounds would be covered with different kinds of seeds and coarse salt which I found delicious with a small amount of homemade butter. I will definitely put flat bread in the trolls house in my book!
     One of the decorative elements I’ll put in my story is the Rod Flugsvamp in Swedish and Fly Agaric in English, mushroom. You often see it pictured in fairytale illustrations. It is bright red, with white spots on that look like breadcrumbs. A bit down the stalk is a white ruffle or collar. This mushroom when fully mature is wide like a hat, but when it is first emerging it is called a button, and looks like a little red globe. This mushroom is highly toxic, and can cause visions and  hallucinations if eaten, and worse. I don’t know all the details, but I do know it is one of the mushrooms people should never ever eat.
     It makes me wonder if this mushroom was put in a fairytale to signal that something magical and weird might follow, like perhaps a troll. I plan to follow this tradition, and illustrate lots of red polkadotted mushrooms in the forest scenery. Rollo the troll, who goes for a walkabout in the forest, will eat only the edible mushrooms. I will be able to picture them accurately because I brought back a Swedish mushroom book. Even though the book is in Swedish, all the poisonous mushrooms have a skull and cross bones besides them, the universal symbol for mortal danger!
     Someday I would like to write and illustrate a book featuring dots. My favorite combination is white dots on a bright red background, and I collect red things with white dots. My favorite comic book when I was little was Dottie Dot, even though I wasn’t allowed to buy comic books, I could read them.
     I hope you find a way to be creative in the month of July, by writing your own comic book, by going on a nature walk and drawing and writing about what you see, or writing in the free association style, whatever comes to mind as one thought leads to another, like I have just done!
     Happy reading, your friend, Jan Brett

Lingonberries or cowberries

Rod Flugsvamp or Fly Agaric mushroom

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Recipe ~ Crunchy Whole Grain Bread

Mix 1 1/2 packets of yeast with 1/2 c warm water and let fluff up and bubble
add
1/2 cup molasses
1 t sea salt
1 egg, beaten
1/4 cup buttermilk powder if you can find it, or powdered milk, if not — this ingredient is not essential
2 cups warm water
1/2 cup softened butter, some stores carry homemade which I prefer

Blend this mixture and add 8 cups of flour– the kind of flours for this recipe will follow.  After adding one half the total amount of flour, blend in 1 cup walnuts chopped very fine and 1 cup dried cranberries and 1/4 cup toasted sesame seeds (optional) — it’s easier to blend the nuts and fruit this way.
The 8 cups of flour include
1/4 cup flaxseed meal
1/4 cup wheat germ
1/4 cup  King Arthur Harvest Crunchy Grains Blend
3 cups King Arthur 12 grain flour - I ordered from their website, but if you can’t be bothered use whole wheat flour.
4 cups of King Arthur bread flour, found in most grocery stores.  It has more gluten in it and makes a chewy texture to your bread.  Sometimes I will use King Arthur white whole wheat flour which I order from the website.
I knead the dough for 10 minutes, timed.   Place the bread in a greased bowl in a warm place with a damp towel on top.  It should rise until doubled in bulk.  Punch down and shape into two loaves to fit standard pans, that have greased with butter, let rise and place in a cold oven.  Turn temperature to 400° for 10 minutes and turn down to 375° for a remaining 20 to 25 minutes until done.  A loaf of bread that is fully cooked will sound drum like when tapped on the top.  Do not peek!Whoops, I think the last instructions is for my gingerbread recipe!   It is best to bake bread on a sunshiney day with low humidity.  I think my fresh hen’s eggs also contribute to a nicely risen loaf!   Thank you Bonnie, Foo-lion, Pang, Cindy, Cricket, and Fleur, my best laying hens!

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All About ~ 3 Little Dassie

New from Africa

     Hi, this is Jan Brett, letting you know what’s happening in my life as a children’s book illustrator and writer. If you have ever traveled to a foreign country, you may recognize the feelings I experienced after a trip to Africa. I did miss drawing and painting every day, which makes me feel like my true self. What made the trip valuable, was that I was filled with new images of landscapes, animals, birds and African people with traditional clothes and manners that impressed me in a way that makes me want to draw them. I am filled with a motivational excitement that makes me want to bring the images to life on paper.
     In the traditional village I visited in Namibia, Otjongombe, I admired the long dresses, shawls and turbans the woman wore, especially since they were created from beautiful fabric. Most of the women made their own dresses and kept to a certain style that has been worn for generations.

Herero Family from Namibia

Herero Family from Namibia

http://janbrettsblog.com/wp-content/uploads/2009/02/blog_short_2009_herero_family.flv

    

     I bought many samples of cotton printed fabric to use when creating the clothes for the 3 Little Dassie (rock hyrax in English) that will be characters in my book. I brought colored markers with me, so I could experiment with just how I could transform the tradition dress of the stately Namibian woman to the dassie who I will dress just like them, but who are a bit chubby and short limbed.

 

Pigni or Rock Hyrex in Namibia at Little Ongava

Pimbi or Rock Hyrex in Namibia at Little Ongava

http://janbrettsblog.com/wp-content/uploads/2009/02/blog_pigni_2009_short.flv

     My husband and I went to a school where I met the children of the village. They performed a program of song and dance which we greatly admired. We had some time to chat with the children who liked practicing their English with us. Their birth language is either Herero or Himba. They were interested in how old I was, so I told them that I was 59. I left some of my books for their library, since they all could read English and a beautifully illustrated science book about extreme animals that I bought especially for them, as well as President Obama lapel pins since the President’s father was from Africa. Everyone we met in Africa is elated by our country’s choice of President Obama.

 

 

Windhoek Namibia School

K.J. Kapewa Public School in Otjongombe, Namibia

 

http://janbrettsblog.com/wp-content/uploads/2009/02/blog_short_2009_windhoek_school.flv 

     During our two week trip to Africa we went for our second time to Namibia and our first time to Tanzania. Spending time in the bush or wilderness area learning about African birds, mammals, and reptiles is my idea of an energizing, inspiring, awesome time. Our African guides, Martin Benadie, who is South African and specializes in birds, Uanee Karuuombe, a Himba guide who introduced us to the Herero people, and Peter, our guide in Tanzania, brought events and encounters into focus and shared their knowledge. For example, Martin could walk into a stand of acacia trees listen carefully, and then point out eight different birds. Sometimes he would hear a bird call and then would imitate it with a whistle, and the bird would come out to investigate. Often he spotted birds unknown to the local guide.
     In Namibia, Uanee helped me understand about the pride the Herero have of their beautiful cattle. Peter, whose family have lived on the Serengeti plains for generations, looked at a herd of zebra (properly known as a dazzle of zebra), and see that they were intently staring at a fixed point not far off. He drove us in his Lad Rover slowly that way, and soon we saw the elegant cheetah the zebras were looking at but who had been hidden from our sight.
     Excited as I am by all the new African ideas, I am still finishing my Easter egg book, correcting, polishing, and adding to the year’s work. It will take all my self control not to start work on 3 Little Dassie!     Happy creating, reading and especially drawing.

Your friend,

Jan Brett

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June 2010 Hedge a gram
Happy June!    I’m Jan Brett, and this is my June Hedge-a- gram, the time I stopped everything to give you a time capsule of this month in my life as a children’s book writer and illustrator.     In the last two weeks, I’ve seen my new book for the fall, THE THREE LITTLE DASSIE for the first time, and I’ve completed the dummy for my 2011 book, HOME FOR CHRISTMAS.     My husband and I traveled to the Book Expo the US’s premier book festival held every year in May.  This year it was in New York City.  Although THE THREE LITTLE DASSIES won’t be sold in bookstores until next fall, the early copies were flown in to give away at the book signings at BOOK EXPO.  It is the first time I’ve seen the book put together.  I spent two weeks painting end papers, the usually solid colored paper that glues the body of the book onto the covers.  In this book the end papers are decorative.  We changed the jacket art just as the book was going to press which involve a lot of fast readjustments in Penguins professional and dedicated art department.  The jacket has embossed or raised type face and I saw that for the first time.  The goal is for the book to become greater than a semblance of its parts.  We all want it to become a future classic with characters, setting, and plot all in balance, with an intriguing but warm and friendly jacket to welcome and entice readers.  It was difficult to scratch weeks and weeks of work off by canceling the first jacket, but our goal is a jacket with the right tones, and a design by one of Penguin’s designers, Ed Scully, leapt up off the page and compelled the change.   Marikka Tamura , the Penguin designer who chooses the typeface and colors that grace the jacket hit all the perfect notes as well.  It is a privilege to work with such a talented team.
    The dummy is all in my court, and after discussions about the basic plot of the story of HOME FOR CHRISTMAS and then an okay of the basic draft, I presented my dummy to Margaret Frith my editor of 20 years.  I’ve just come back from a week and a half in Sweden, shepherded by our Swedish friends,  Elof and Gudrun Eriksson.  We were able to spend time on a farm abundant with wildlife in southwest Sweden and go on a guided trip above the Arctic circle.  My book dummy reflected much of the impressions I got from the austere and elegant landscapes and encounters with wildlife in Sweden.
     The major achievement of our trip was encounters with habituated Moose in Kiruna, the jumping off place to Sweden’s Arctic North.  We met an attractive and knowledgeable Swedish moose aficionado.  He had five adult Moose and one calf that lived on a huge tract of land.  When we called him to arrange our Moose experience he promised to wait and feed them when we arrived.  To his word, the moose ambled toward the feeding station at the sound of his whistle.  They have ample grazing, so they were quite relaxed about joining us.  The bulls are not approachable during breeding season in the fall, but this was spring, and they were as affectionate as horses.  The antlers, which were velvety knobs, because they had just started growing, were kind of itchy and they have learned that tourists will rub them.  One of the moose gave our guide a trained kiss on the cheek and I managed to get a big kiss onto their velvety cushiony noses.  It made me miss having a horse.  Their eyes were very intelligent and once one adjusted to their bodies not being horselike, a person can appreciate the majestic presence of this animal, with its long brindled northern fur coat, its black cloven hooves and elegant palmated antlers.     On the day we left Sweden, traveling over a vast stretch of land with melting snow drifts revealing lichen, mosses and endless shining lingonberry bushes, we found a huge moose antler shed last winter. Hefting its heavy weight, it really felt like a fitting crown for the majestic King of the North! 
In my book, the troll boy encounters an antlered animal, and I had to decide between a moose and reindeer.  After my visit to Arctic Sweden the answer was obvious.
     This month I’ll work on the first finished spread, I’ll design the borders and nail down the characters - father troll, mother troll, sister troll, and my main character Rollo Troll.  It’s always a wild ride in my imagination, and the best part of creating a children’s book - is all so hopeful.
     If you’re going on a trip this summer, close or far, familiar or unfamiliar, think of it as an expedition for getting ideas for your own book.  Your experience may take you to an unexpected place!     Happy reading, your friend,

                        Jan Brett

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May 2010 Hedge a gram

     Happy May!  This is Jan Brett and this is my May hedge a gram, the time I take every month to go over what I’m doing in my work as a children’s book author and illustrator.
     A curious thing happened with my just finished book, THE THREE LITTLE DASSIES as it was on its way to the printer.  Every year my publisher prints a poster of the new book to promote it, and one of the designers at Penguin works with me.  This year Ed Scully took my artwork from the title page to feature on the poster.  When the poster came in the mail we love its sunny, buoyant feel of the three Dassie sisters in close-up.  We liked it so much that we decided to use it for the jacket of the book, and not to use the other piece of art I created.  It’s always hard to not use artwork that I’ve spent weeks working on, like the first jacket, but in book publishing the jacket is extremely important.  It is an invitation to open the book and read it.  It helps if it awakens a lively curiosity in the viewer, and it needs to reflect the feeling of the book inside.  I can’t give away the ending either.  I’m counting on the adorableness of the Dassie, and their unusual outfits to make kids think, “I want to read about their adventures!”  That’s the way I felt when I first saw the Dassies in the wild.  I wanted to imagine what their lives were like as they sunbathed on rocks around our camp in Namibia, Africa, and then disappeared down their little caves in the rock crevices when an eagle flew overhead.  My first jacket pictured one of the Dassie sisters being carried away by an enormous eagle.  Even though I wanted adventure and drama in my book, the jacket looked a little sinister, and the little Dassie looked pretty helpless.  All in all, I’m glad that designer Ed Scully’s poster idea initiated a big change for the look of my book.  Joe and I have a motto, “There is no arguing with a great idea”.
     I just finished the news notes for THE THREE LITTLE DASSIES.  There are four African animals are illustrated in the book so in my news notes I tell little about each one, the Dassie, the Agama lizard, the Verreaux’s Eagle, and the Tent Tortoise.  There are so many startling things to discover in Namibia that I couldn’t put in my book, but I wanted kids to know about, so I described them in my news notes.    Twyfelfontain, the Rocky Mountain where my story takes place, is the site of ancient petroglyphs.  Petroglyphs are carvings in the rock.  There is also a very rare plant, found nowhere else in the world that looks like a rosette of raggedy leaves about the size of a truck tire.  It is low to the ground, and when you look closely you can see small orange red cones in its center.  The plants are 1000 years old, that is the amazing thing.  It is the Welwichita plant.
     Now that I’ve finished the news notes, I will give them away at my book signings next fall in output them up on my website starting this May 20.
     I’m on my way to Sweden to get ideas for HOME FOR CHRISTMAS, my book about a runaway troll.  I started the book dummy — a simple roadmap of the future book.  It is done with quick sketches and it will help me find the materials I need in Sweden to make their books authentic.
     I’m planning to ask everyone about any troll stories they might have heard as children.  I would also like to visit an open-air museum where a farm from the olden days has been reconstructed, so I can envision the trolls homestead.  I’ll have to rough it up a bit because the characters are trolls after all!
     I have to find out how Christmas is celebrated in Sweden, and what special foods are enjoyed.  At the beginning of a book there is a lot of excitement about spending a year with my new subject, but I’m a little nervous too, just like at the start of any adventure.
     Happy reading,
    
                                                   Your friend,
    
                                                     Jan Brett

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May 21st 2010 Treasure Trove

Coloring Murals,

   Choose and download from over 200 coloring pages from 8 book titles,

~ The Umbrella
http://janbrett.com/mural_umbrella/umbrella_mural.htm

~ Honey…Honey…Lion!
http://janbrett.com/mural_hhl/honey_honey_lion_mural.htm

~ On Noah’s Ark
http://janbrett.com/mural/on_noahs_ark_coloring_mural.htm

~ Hedgie Blasts Off!
http://janbrett.com/mural_hbo/hbo_mural_main.htm

~ The Easter Egg
http://janbrett.com/mural_easter_egg/easter_egg_mural_main_page.htm

~ The Mitten
http://janbrett.com/mural_the_mitten/the_mitten_main_page.htm

~ Gingerbread Friends
http://janbrett.com/mural_gf/gf_main_page.htm

~ The Three Snow Bears
http://janbrett.com/mural_tsb/mural_three_snow_bears_main.htm

    It’s a pleasure to be in touch.

Sincerely,

Jan Brett

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April 23rd 2010 Treasure Trove
The top 10!

     Here’s a list of the top 10 pages on janbrett.com for this month.

~ Projects for teachers

 

~ Postcards

 

~ Videos

 

~ Character Masks

 

~ Is Hedgie the most handsome animal in the forest?

 

~ Sight Words

 

~ I Love my Mom

 

~ I Love my Dad

 

~ On Noah’s Ark Coloring Mural

 

~ Mouse Concentration Game

 

     It’s a pleasure to be in touch.

 

Sincerely,

 

Jan Brett

2 Comments


April 2010 Hedge a gram

Happy April!
    
     This is Jan Brett, and this is my monthly hedge a gram, the time I take each month to tell you what’s happening in my life as an illustrator.
     I just finished a 2 1/2 week book tour.  It was great to speak to children, teachers and librarians at my 22 books stops.  I do a drawing lesson at each book store, and the best part of the tour is seeing the drawings the children create as they follow along.  I know I’m repeating myself as I say this, I find children’s drawings full of imagination and pizzazz.  I’m admiring of the child’s state of mind, which is energetic and bold.  I met some very talented children.  I also admire all the mom’s, dad’s, and grandparent’s enthusiasm for children’s literature.  I can tell that their conviction that reading is an outstanding life skill will give their children profound rewards as they explore the world of books.  The teachers and librarians I met have my deep appreciation.  I met people who bought their books out of their own pocket for their classes and libraries.
     My last stop on the book tour was New York City where I was asked to be a guest on the Martha Stewart show.  Since my friends and relatives were curious I will tell you what I told them.
     It was an unusual day because I was expecting a high tech, performance orientated experience, but from the minute we arrived we were surrounded by positive energy and lots of creative, encouraging and supportive people.  There was a wardrobe check in the green room, where each guest was able to relax until it was his or her turn - warm chocolate chip cookies made this very pleasant!  We all got to go to hair and makeup which is glamorous, since the stylists were so expert.  They were so friendly and interesting, that I forgot to be nervous.  The producers had us rehearse our segments and the camera and sound crew, instead of being impatient with non-actors, were fun loving and supportive.  I felt euphoric and I think all the other guests did too.  I haven’t mentioned the other reason I might have felt euphoric; besides being surrounded by so much talent, the show was about chickens my most favorite creature!
    My part of the program was to show the beautiful cochin chicken that pulls the Easter Bunny’s wagon in THE EASTER EGG.  Then I was asked to bring in my white crested Polish chicken that had a role in THE  GINGERBREAD FRIENDS.  The producer, sensing my enthusiasm for showing chickens, asked me to find the most perfect specimens of different breeds that I knew of.  The staff knew that my hobby was breeding and showing exhibition bantams.  I asked my friend Janet Winnett, one of the country’s foremost breeders of silky chickens, if I could borrow two silky hens, a white, and a splash, which is white with blue grey splotches.  The silky has a puff on its head, feathered feet, and its feathers are fur like.  Next, I got up my nerve and asked two revered poultry judges if I could borrow their birds.  Warren Carlow of Rhode Island is a master breeder of Barred Plymouth Rocks, one of the first American breeds.  Each feather is horizontally striped with black-and-white, and they are incredibly beautiful.  They are one of America’s proudest achievements in poultry.
     Jerry Yeaw, also a judge, and master breeder, let me borrow his stunning Belgian d’uccle hen.  She is the millie fleur variety, which means her feathers have three colors.  They are rich golden with a black V-shaped tip, and the very end of the feather is brilliant white.  If you squint your eyes, it is like looking into a field of flowers.  His d’uccles also have extra feathers on their faces, called beards and muffs, and they too have feathered feet.  I thought Martha would marvel at the beauty of the millie fleur feather pattern.  Very few chickens have it.
     I also asked Bruce and Avril Clapp of Massachusetts to let me present their black modern game hens.  They look like teeny ballerinas and have lots of personality.  The modern games have been bred to have enormously delicate long legs, small compact heart shaped bodies and sleek heads with bright eyes and a slender neck.  Even though they are gentle and tame, they have a way of bossing you around that is humorous.
     I was most excited about showing my Polish which are a black bird with a beetle green sheen.  Their little faces are dominated by a huge pom-pom shaped crest that almost covers their eyes.  If you ever see a bird that looks like a normal chicken with a softball sized crown of white feathers on its head, that would be the white crested Polish.
     I put some eggs in my incubator 24 days before the show, so I could bring three-day-old Polish chicks to the show.  They now live in Martha’s beautiful chicken coop.  They are out of some of my champion birds, so I hope they’ll grow up to be magnificent specimens of their breed.
     My last hen to show was the buff cochin, the one I used for the model for THE EASTER EGG.  She was bred from a well-known master exhibitor, Tom Roebuck of Virginia.  The Cochin is profusely feathered and very large and commanding.  Even their cluck sounds deep and imposing, like it’s coming from down in a well!  The cochin created a huge sensation in England in the 1850’s when they were first imported from Asia.  Instead of a tail that extends from their back line, the Cochin is round.  The feathers mound up in a “cushion” that creates a globular silhouette.  Cochin owners really should sport bumper stickers that say “Go Globular.”
     My impression of Martha Stewart was that she loves animals.  Her face lit up when she talked about her beautifully tame and elegant Americanas that lay the blue and green tinted eggs.  She’s kept chickens for 30 years, and I could tell she hasn’t lost her enthusiasm for nature’s perfect package, and delicious protein, the egg.  A fresh egg is such a treat whether it is eaten simply for breakfast or in baking.  A farm egg really does taste better than a store egg.  It may be from the diet.  I give my chickens squash, blueberries, yogurt, kale, oatmeal and mealy worms!  I don’t want to think about what the mealy worms add, but chickens do eat insects!
   The set for Martha’s TV show is a showcase of exquisite taste. It is modern and elegant but still warm and friendly like someone’s house.  There are framed pictures and photographs everywhere, as well as plants and flowers in a greenhouse.  The kitchen is filled with Martha’s collectibles.  How she manages to create all she does, even with her talented colleagues is mystifying.  Besides creating the show I was on, they had also done a live show in the morning.  The crew had built a little chicken house with nest boxes and a ramp that led into a peaked run for our chickens to walk around in.  While we rehearsed our segments, Martha did yoga in her office.  Having just experimented with my first yoga session on my book tour, I can see how relaxing and revitalizing it must be.  Lastly, the audience is very respected, and everyone was conscious of how they were reacting.  They were given lots of presents, including THE EASTER EGG and EXTRAORDINARY CHICKENS, a wonderful portfolio of chicken portraits from the poultry exhibition halls by Stephen Green-Armytage.
   Lastly, I was able to meet one of my favorite authors, Susan Orleans.  Her book THE ORCHID THIEF I have given to countless friends, and I reread it every year and listen to it on tape.  It’s about obsession and I definitely have a streak of that in my interests.  She has chickens.
   I wish I could relive the whole day.  Joe came with me and we are continually talking about how everything worked.
   While I come down to earth, I will be adding to my Easter and rabbit mural.  Then it will be onto my dummy for HOME FOR CHRISTMAS, my troll book.
   On April 19, I’m running the Boston Marathon.  I get lots of book ideas while I’m running.  For a big race like Boston, I’ve got lots of time to think, it takes me over four hours to run it.  I have to admit though, after about 14 miles, I will be focusing on keeping my pace and no daydreaming.

     Happy drawing and writing,

          Jan Brett

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March 18th, 2010 Treasure Trove

New for Easter,

~ Download and Personalize printed cards for Easter
http://www.janbrett.com/pdfcards/pdfcardgenerator_easter.htm

~ Send your friends an email Easter Card from THE EASTER EGG
http://www.janbrett.com/vcards/gbrowse.php?cat_id=63

More Easter projects ~

~ Make an Easter T-shirt transfer
http://www.janbrett.com/transfers/happy_easter_transfer.htm

~ The EASTER EGG all about letter.  Make a flower pot cover for Spring.
http://janbrett.com/newsnotes/the_easter_egg_newsnotes_index.htm

~ The original live animal charaters in my new video,
http://www.janbrettvideos.com/the_easter_egg_high_bandwidth.htm
http://www.janbrettvideos.com/the_easter_egg_low_bandwidth.htm

~ Easter Egg Coloring Page
http://janbrett.com/easter_eggs_coloring_page.htm

~ Easter Parade Coloring Page
http://janbrett.com/easter_parade_coloring_page.htm

~ Hoppi Coloring Page
http://janbrett.com/hoppi_coloring_page.htm

It’s a pleasure to be in touch.

Sincerely,

Jan Brett

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